The Beginning of the Beginning
Before the end of the end, someone must decide what 'beginning' even means.
"The Beginning of the Beginning" is the foundational narrative arc in *Omniscient Reader's Viewpoint*, serving as the inciting structure that pulls the cast of *Three Thousand Years of Night* out of their ordinary lives and into the scenario-driven world Kim Dokja has spent years reading about. It functions as both the first major test the characters face and the philosophical anchor of the entire story: the question of whether a narrative can be rewritten by the people trapped inside it.
As an arc, it establishes the rules, introduces the core ensemble, and plants the seeds for the Three Endings that will define the novel's ultimate conclusion. Every allegiance, every hidden motive, and every power that shapes the later war for the world's fate is sown here.
- Type
- Foundational narrative arc / opening scenario sequence
- Source material
- Web novel *Three Thousand Years of Night* (within ORV)
- Protagonist perspective
- Kim Dokja (reader / scenario participant)
- Key characters introduced
- Baam, Yoo Joonghyuk, Choi Han, Han Sooyeu
- Narrative function
- Sets up the Three Endings framework and scenario rules
- Tone
- Mystery, survival, reluctant heroism
Lore & Background
In the world of *Omniscient Reader's Viewpoint*, the web novel *Three Thousand Years of Night* is not merely a story—it is a living narrative engine. The scenarios it generates are not random events but structured tests that sort characters by will, loyalty, and capacity for sacrifice. "The Beginning of the Beginning" is the first of these tests to fully manifest in the real world, dragging its participants from a mundane office setting into a landscape where the rules of the novel become physical law.
What makes this arc philosophically distinct is its self-referential tension. Kim Dokja, the sole reader who has finished the novel, enters the scenario knowing the broad strokes but not the micro-decisions that will diverge the story from its printed path. The other characters—Baam with his quiet, unbreakable resolve; Yoo Joonghyuk with his cold, calculating brilliance; Choi Han with his explosive loyalty; Han Sooyeu with her sharp, pragmatic edge—each carry narrative weight that the reader has learned to anticipate, yet the scenario forces them to act in ways the text never fully scripted.
The arc also introduces the concept of the Three Endings: three mutually exclusive conclusions the narrative can resolve into. "The Beginning of the Beginning" is, in one reading, the ending where the world is reset and allowed to start anew—a mercy and a erasure in equal measure. In another reading, it is simply the first scenario, the opening move in a game whose final board is still being written. This duality is the arc's deepest lore: the beginning and the ending are not opposites but mirrors, and which one a character sees depends entirely on where they stand in the story.
In Their Own Story
The fluorescent lights of the office hummed their tuneless hymn when the sky cracked open. Kim Dokja felt the familiar weight of a scenario title bloom behind his eyes—*The Beginning of the Beginning*—and the first cold thought was not fear but recognition. He had read this. He had read this a hundred times. And yet the way Baam turned from his desk, the way his jaw set with that quiet, terrible certainty, was not in any chapter he could recall.
Outside, the city was already unspooling. Buildings folded like paper in a wind that smelled of ink. Yoo Joonghyuk stood at the window, arms crossed, watching the world become a story. Choi Han's fists were already clenched. Han Sooyeu was calculating escape routes with the calm of a surgeon choosing a scalpel.
Kim Dokja opened his mouth to say *I know what's coming* and then closed it again. Because the truth was, for the first time in years, he wasn't sure. The beginning of the beginning, he realized, was the one page the author had left blank. And someone in this room was about to write it.
Reader's Guide
Premise and stakes: The scenario activates in the real world, pulling the core cast into a narrative space governed by the rules of *Three Thousand Years of Night*. The immediate stakes are survival and comprehension—understanding what the scenario demands, who it targets, and what the first set of choices will cost. The deeper stakes are philosophical: if the characters accept the scenario's framing, they become characters; if they reject it, they risk being erased from the narrative entirely.
Key turning points: The arc pivots on the moment the ensemble must act without a script. Kim Dokja's knowledge of the novel gives him an edge, but the scenario's first true test requires a choice no reader could predict—forcing the group to commit to a path before the full rules are revealed. A second pivot comes when one character's hidden motive surfaces, reframing their loyalty and raising the question of who is playing the scenario and who is being played by it.
Characters drawn in: Baam, Yoo Joonghyuk, Choi Han, and Han Sooyeu are the primary participants, each entering with a different relationship to the narrative. Secondary figures and antagonists are introduced as forces the group must navigate, establishing the broader web of alliances and rivalries that will define the later arcs.
Skills or artifacts unlocked: The scenario grants the first tier of narrative abilities—small, personal powers tied to each character's core trait. These are not yet the grand, world-shaping powers of the later arcs, but they are the seeds. The group also gains a shared understanding of the scenario system: how points are earned, how choices branch, and how the Three Endings function as the ultimate resolution states.
Shift toward the Three Endings: "The Beginning of the Beginning" tilts the balance toward the possibility of a reset—a clean slate where the world is allowed to start over. It is the most hopeful ending and the most dangerous, because a beginning requires everything that came before to be unwritten. The arc ends not with resolution but with a question the group carries forward: can a story be saved by starting it again, or does that just bury the first draft forever?
Did You Know?
- The title 'The Beginning of the Beginning' operates on a double meaning in the ORV narrative: it is both the name of an opening scenario and one of the Three Endings, creating a deliberate loop where the story's start an
- Kim Dokja's advantage as the sole complete reader of *Three Thousand Years of Night* is a double-edged sword in this arc—he knows the broad shape of events but discovers that the scenario's micro-level choices were never
- The ensemble's dynamic in this arc—Baam's quiet resolve, Yoo Joonghyuk's strategic coldness, Choi Han's fiery loyalty, Han Sooyeu's sharp pragmatism—establishes the four-pillar structure that anchors the rest of the stor
- The scenario system in ORV is not a simple quest log; it is a narrative engine that responds to character will, meaning the same scenario can branch differently depending on who makes the critical choice and why.
More in Scenarios & Arcs
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